The lights go down. The riff rises. A life louder than legend returns to the screen.
From Osbourne Media, in association with Sony Pictures and Epic Records, comes The Last Roar: Ozzy Osbourne’s Final Chapter — the definitive cinematic farewell to the man who redefined what it meant to live, play, and survive at the edge. This is not a documentary in the traditional sense. It is a requiem and a resurrection, a chronicle forged in fire, faith, and the roar of a thousand crowds.
The first trailer opens with silence — then a single, familiar laugh. It’s Ozzy’s, cracked and unmistakable. The screen flickers through decades of chaos: backstage corridors, hospital rooms, stadium lights, and the shadow of a microphone trembling under the weight of time. Ozzy’s voice, gravelly but alive, breaks through the noise: “I wasn’t born to be normal. I was born to make noise.”
💬 “This isn’t an obituary,” Sharon Osbourne says in the trailer. “It’s a promise — to the fans who kept him alive.” Her voice, calm yet fierce, sets the tone for what follows: a story not of decline, but of devotion.
Shot across Birmingham, Los Angeles, and London, The Last Roar spans sixty years of rock history told through the lens of one of its most enduring survivors. From the early Sabbath days in fog-drenched factories to the glittering insanity of world tours, from private hospital battles to public comebacks, the film traces the impossible arc of a man who fell a thousand times — and stood up a thousand and one.
The visuals are staggering. Birmingham’s grey skyline dissolves into arenas glowing at sunset. We see Ozzy’s final Sabbath bow, the band standing shoulder to shoulder in quiet triumph. Studio nights flicker across the screen — dim lamps, cigarette smoke, laughter echoing through fatigue. Songs like Crazy Train, Mr. Crowley, and No More Tearsthunder through the soundtrack, not as nostalgia, but as oxygen — reminders of the pulse that carried him through pain and back into purpose.
Friends, family, and bandmates offer memories that cut between chaos and grace. Sharon recalls the impossible tours. Jack and Kelly speak of hospital visits that turned into songwriting sessions. Tony Iommi’s voice trembles when he admits, “We thought he was gone a hundred times. But Ozzy… he just wouldn’t stop.”
What emerges is not the portrait of a rock star, but of a man who refused to fade — and a love that refused to let him. Ozzy’s humor flashes through it all. Between moments of raw emotion, he delivers one-liners that remind us why fans adore him not only as a musician, but as a soul who lived life without apology.
The film culminates in a scene that has already been described as “spine-shattering.” Ozzy, sitting in the garden of his Buckinghamshire home, listens to an old recording of Dreamer. The sun dips low. His lips move silently to the final line: “I’m just a dreamer who dreams of better days.”
It’s not farewell — it’s transformation.
The Last Roar: Ozzy Osbourne’s Final Chapter arrives in theaters and select IMAX screens worldwide, with a global streaming premiere to follow.
The legend doesn’t end. It echoes.
