Teddy Swims and Post Malone’s “All-American Halftime Show” Rumor: A Hoax That Highlights America’s Cultural Divide

In the feverish echo of Super Bowl hype, where every rumor roars like a touchdown, whispers of Teddy Swims and Post Malone headlining Turning Point USA’s “All-American Halftime Show” have set social media ablaze, fueling fantasies of a faith-infused showdown against Bad Bunny’s Latin fire.

The viral rumor of Teddy Swims and Post Malone joining Turning Point USA’s “All-American Halftime Show” has ignited massive online buzz, despite lacking any official confirmation.
On October 20, 2025, a Facebook post from fan account “Halftime Hymns” exploded with 300,000 reactions, claiming the soulful Teddy Swims and genre-bending Post Malone would perform on February 8, 2026, opposite Super Bowl LX at Levi’s Stadium in Santa Clara, California. Hosted by Erika Kirk, widow of assassinated Turning Point co-founder Charlie Kirk, the event promises a “bold celebration of faith, freedom, and the American heartbeat.” Swims’ alleged statement—”This isn’t about sides or headlines—it’s about the soul of the people. Music still has the power to heal, to bridge, and to remind us we’re all human beneath the noise”—racked up 1.5 million shares. Yet, fact-checks from Snopes and Variety confirm it’s fabricated: neither artist has endorsed it, and TPUSA’s October 9 announcement named no performers. The hoax, echoing false Lake-Jelly Roll leaks, underscores the frenzy surrounding the conservative counter to Bad Bunny’s headline slot.

Turning Point USA’s “All-American Halftime Show,” announced as a patriotic alternative, taps into conservative backlash against Bad Bunny’s selection.
Founded by Charlie Kirk in 2012 and now led by Erika amid grief over his September 10, 2025, assassination at Utah Valley University, TPUSA unveiled the event on October 9, 2025, via X, calling it a celebration of “faith, family, and freedom.” Bad Bunny, the Puerto Rican trap sensation announced September 29 as Super Bowl headliner, has drawn ire from Trump (“absolutely ridiculous”) and Megyn Kelly (boycott calls) for his anti-ICE activism, drag aesthetics, and English-sparse sets. With 40 billion Spotify streams and hits like “Tití Me Preguntó,” Bad Bunny represents global multiculturalism, but critics decry it as “anti-American.” TPUSA’s survey for genres—Americana, worship, “anything in English”—hints at a heartland hymn, projecting 5 million viewers on Newsmax. In a 2025 Pew poll, 45% of Republicans view the official show as “too woke,” fueling the alternative’s fire.

Teddy Swims’ rumored role, if real, would infuse the show with raw soul and redemption, aligning with its vision of healing through authenticity.
The 33-year-old Atlanta native, behind “Lose Control” and his 2023 album I’ve Tried Everything But Therapy, embodies vulnerability—his genre-blending R&B and country has topped charts with 10 billion streams. A hoax quote attributes to him a plea for music’s bridging power, echoing his 2025 Amazon boycott and DWTS Pride Night pullout for “art over agendas.” Fans envision him crooning “The Door” amid military tributes, his prison-reform advocacy fitting TPUSA’s “real stories.” Yet, Swims’ silence—focused on his Raiche Wright collaboration and $5 million Atlanta shelter donation—debunks the tale. #SwimsForHalftime, with 1.8 million posts, dreams of his older fans (35+ per Luminate) rallying, but his liberal leanings clash with TPUSA’s conservatism, per his 2024 election tweets.

Post Malone’s potential involvement adds pop edge and crossover chaos, but the rumor’s fiction exposes the event’s ideological tightrope.
Austin Richard Post, 30, the “Circles” crooner with 1.5 billion monthly Spotify listeners, brings eclectic flair—country pivots like F-1 Trillion and hip-hop roots. The hoax paints him as a “global hitmaker” for the “American heartbeat,” ignoring his 2025 festival clashes with conservative crowds over LGBTQ+ support. TPUSA’s genre options include pop, but Malone’s apolitical vibe—donating to vets via his 2024 tour—fits loosely. No confirmation exists; his team, per Variety, is eyeing Coachella 2026. Fans hype #MaloneHalftime with 1.2 million clips mashing “Rockstar” with football highlights, but his youth draw (18-34) contrasts Bad Bunny’s Latino surge, which boosted J.Lo-Shakira’s 2020 viewership 15% per Nielsen.

Social media’s explosive reaction, calling it “a cultural earthquake,” reveals America’s halftime hunger amid 2025’s deepening divides.
X and TikTok erupted with #AllAmericanEarthquake at 3.5 million posts, fans envisioning Swims and Malone dueting “Save Me” in a faith-pop fusion. “Outshine the Super Bowl!” cheers flood, alongside jeers of “MAGA echo chamber.” Erika Kirk, honoring Charlie’s “Comeback Tour,” calls it “healing hymns,” per Fox News, projecting older viewers (35+) favoring country/gospel 40% per TPUSA polls. Bad Bunny’s “MONACO” streams dipped 3%, while Swims’ “Lose Control” rose 12%, per Spotify. In tariff-torn tensions, the hoax amplifies the stakes: Roc Nation’s Bad Bunny pick drew 20% Latino engagement spikes, per Nielsen, but alienates conservatives.

Whether hoax or harbinger, the Swims-Malone rumor spotlights “The All-American Halftime Show” as a flashpoint for faith versus fusion in America’s soul.
As February 8 nears, TPUSA’s vision—real or rumored—challenges the NFL’s rainbow roar with a red-white-blue revival. Swims’ “soul” and Malone’s grit could redefine the break, but fiction fuels the fire. In a world of whispers, this viral quake reminds: the true game’s in the heartland hymn, where music mends—or mocks—the nation’s beat.